Technical Writing VS Creative Writing

Copyright@Heather Cai 2017

Seaweed Farm. Photo taken in Xiapu, Fujian (2016.12)

 

 

Finishing editing my second English novel In Between felt like a deep breath, and getting the submission package ready is a deeper breath.

Personally and frankly, initiating the synopsis was a hard birth. After doing some research and reading some examples with different genres, the thoughts kept fermenting for days and sometimes fighting annoyingly. There were times it felt like your period is wrong. I had to walk and walk, meditating and cleansing, then abandoning my usual way of thinking, like practicing the sense of direction. I forced myself to be practical for this once. As a result, I became practical and “cold” in doing other things too. Thus time and space, light or night, didn’t matter that much to me. My brain can think like a spider web, but only can move one spider across the star at a time.

Here, after the synopsis is finally done, I proudly represent this comparative table, to purely indulge myself. Wahoo, autumn is embracing. I’m relieved. It is always rewarding when you have seriously learned something new and valuable. 🙂

From Experience

Technical Writing

Creative Writing

Synopsis

In Between

neutral

natural 

 factual

 imaginative

 cold-blooded

 passionate

 heartless

 heartfelt

 colorless

 in colors

tight

 flexible

 skeleton

 plentiful

framed

free

inexpressive

expressive

 formal

 informal

challenging   enjoyable

 

The Fucking Book – Less Than Mystery

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The Fucking Book – Less Than Mystery – My first English novel is done.

Finally, here is a copy of the Fucking Book, Less Than Mystery.

It is almost as thick as the length of this lighter; total 6 parts, 484 pages, 129,237 words. It has taken three versions of  the manuscripts. The very first one, which was finished within one week, was crap. The whole book took me about two years to complete – one year of writing, one year changing and editing. More precisely, if not counting the parts on suffering from writer’s block, traveling and worrying about other things, it would be half a year of writing and half a year of changing and editing. It is sometimes like a lighthouse sometimes a nightmare. 

Why is it the Fucking Book? Because  sometimes it weighs as heavy as my heart can carry sometimes as thin as the air that my lungs need to breath in and more importantly, because it holds my life between something and nothing. 

To be honest, I thought  I would celebrate it, but now it is more like a victory that brings no joy.  Why? Because it is not the final victory. Just not yet.

It may not be great but absolutely unique. Initially, it is  quite a fanciful illusion – with a structure like Pulp Fiction, a language like William Faulkner’s, a sort of anger like Henry Miller’s and a rightful dream for women’s liberation in China like Simone de Beauvoir’s in The Second Sex. What is it now? – My angers, my wonders, my observations and my beliefs wrapped in mysteries. In a word, it has my character.
 
The next book is In Between.

At the moment, there is the same question – “To be or not to be”.

But –
 
I must write, or I die. If I write, I must survive too.